WINNER OF THE SUMMER 2025 POETRY CONTEST

For Curtis
I entered the crowded room with my friend Paul Revere and his
all smart-girl entourage. Our jive steps blooming alive with each stride.
The dance floor sliding to the music plucked out by the
stoned piano player. All that rhymin’ and stealin’ and stylin’.
I thought of all those bad jobs I had and how lucky
I was to have them. The low and slow, not sleeping until
the Brooklyn train arrived. What happens next? Just a tucked
wide silence holding it all in, and someone refusing to push
the go button for the next adventure. The walk near the old
brass monkey statue at the park, singing about fights and rights.
No one as smooth as Crafty Kathy. She kept all the choices lined
up against the brick walls. The tired posse of middle-aged men
in sports coats shaking their heads in nervous confusion.
Their ironed pants busting at the tired seams.
How many of them got late night phone calls from their
old high school girlfriends asking if they remembered
those special times? The music bending around
them on the gym dance floor, or the quiet
walks near the lake holding hands, then going into
the boathouse. Not turning on the lights,
worrying a parent would wander near, who was wondering about
their solitude and silence, did anyone feed the dog tonight?
The small waves running up the lake’s bank the only
sound in the boathouse; the only sound in the darkness.
Christopher Rubio-Goldsmith was born in Merida, Yucatan, grew up in Tucson, Ariz. and taught English at Tucson High School for 27 years. Much of his work explores growing up near the border, being raised biracial/bilingual and teaching in a large urban school where 70% of the students are American/Mexican. An Allen Ginsberg Poetry Award Honorable Mention and a two-time Pushcart nominee, his wife Kelly lets him know when the writing is off a bit. He is trying to get better at sitting and seeing.
